My five week class of Intermediate Silversmithing concluded last night, and what a great group it was. We tackled some complex skills in this course, and it was really fun to see what creative doors opened up for everyone. Starting with charcoal casting, we tackled some complex piercing, a tube hinge, creating step bezels for facetted stones, tube setting, and dabbled in some chain. Here are a few of the spoils of the class.

Facetted ring set by Roxana Fugleberg with amethyst, quartz, and topaz.
Etched band ring by Juris
Layered broach with leaf pattern and blue gem stone

I rarely do commissions any more simply because my larger story pieces require an understanding of the work and flexibility of the patron to go with where the story leads.

This was one of those cases.

The stone is only found in New Zealand where the recipient was born.

Textured silver necklace piece, with dark blue-green stone
Pendant in process of being soldered
Unfinished pickle-white pendant
Connecting sections of the piece
Holding the nearly finished piece

Trick-or-treaters made their way to each artist studio today. Artists in residence got to contribute a pumpkin to a silent auction, each with a little nod toward their craft.

Mine...

Mrs O’Lantern, Dressed to Kill.

Complete with the jewelry accessories.

Very fun.

Pumpkins stacked and carved with a face, wearing earrings and necklace
Mr. O'Lantern, pumpkin man, with hand painted dress
Knife next to pumpkins starting to be carved

There are several “advances” in the art of silversmithing that have hit the scene since I began my creative journey back in the ‘80s. Precious Metal Clay (PMC), Argentium, Vacuum Casting, Foldforming, and a whole host of pre-fab findings. Although I have held some of these at arms length in a purist-type attitude, I have made peace with most of them.

except for this one.

I am sure if I was a photographer that experienced most of my artistic joy in the darkroom I would consider the age of the digital camera with dismay.

And so it is for me with the 3D printer.

3D printing is an amazing advancement. In the movie Jurassic Park a 3D model maker creates a replica of a dinosaur neck bone that enables the main character to replicate the whistle of the animal...

yea, it is like science fiction stuff.

These model makers make anything from new product models to gears and widgets, and a variety of other things.

And now jewelry.

In a 3D CAD program you can virtually design your jewelry piece that will then “print” a model of your work that can then be made into a mold, multiple models, and then ultimately cast.

Henry Ford would be proud. But not Henri Matisse.

Blair standing in the studio

Keep your muse from getting bored by mixing the act of practice with the act of discovery.

What do I mean?

Making a project that has a repetitive element is a great way to get some practice at that skill. A chain is an example of this. Multiple links means multiple solder joints which also equals practice. It is a good thing but can get a little tedious.

Break the project up with a new technique. A new texture with the rolling mill, or even a little charcoal casting can open up new design options and keep the muse awake.

Silver rings on solder board ready to be soldered
Silver, charcoal-cast link.

Just scored a new shipment of potential for the studio, and specifically for the thursday night class.

In this third week the skill learned is...

making a bezel.

I also offer this skill in a skill building workshop called, Using Stones.

Cabochons in multiple colors laid out on the bench
Pink brown and black rhodonite oval cabochon
Cabochons in multiple colors laid out on the bench

The Beginning Silversmithing class is unique. The recipe is essentially this... get eight folk together that typically have high stress jobs in DC, show them how to be creative with silver, put a torch in their hands...

and step back and watch.

What fun!

Seriously, it is a very fun task that I have. Really it is about making people happy, but the challenging part is making sure they succeed.

I take it personally if my students don’t succeed. But success comes in many forms. Creating some great jewelry is one. Another is the process of learning that sometime means melting some metal.

Practice. It is an important part of the learning process.

Melt some metal!

Bob with the torch.
Blair instructing the Thursday night group

Silver saturdays are always a lot of fun for me. It is an intense day of creativity and discovery...and the students get to learn things too. ;-)

This saturday was no different as I began the class with my usual tool intro and then we were underway with our first projects. Cold forging, texturing, and then on to fire with learning how to solder and make a simple forged ring, everyone took their new found skills in different directions. Although I demonstrate a couple of different options for the final piece, a pendant, or a bracelet/bangle, the majority of this group went with a bracelet.

You guys did great.

Students working on projects in the studio
Student earrings on a rack
Silver swirl bracelet
Square silver and copper rolling mill textured pendant with dragonfly
Two part flattened silver pendant by Sandy.

A new group of beginners “began” last night and produced some wonderful stuff with our cold forging projects. The first one was all about wire forging and learning what “work-hardened” means. The second project was about texture using the rolling mill. Of course there is always at least one person that notices the letter punch and is off and running with wonderful messages.

Way to go Roxana!

She started with a leaf impression using the rolling mill and then followed up with the letter punch with “peace” and “harmony”.

Everyone did great.

Next week they get to play with fire!

Oxidized silver letter pushed pendants by Roxana
Polished silver square earrings with dragonfly pattern
Silver earrings on a rack

I am excited to report that SilverWorks is adding a few new classes to its roster for fall.

Skill Builders.

These are short workshops that focus on a specific project or technique. They are...

  • Applique Project
  • Pierced Project
  • Fold Forming
  • Torch Enameling
  • Patinas
  • Using Stones

All of these are meant to be a follow up to Discover Silversmithing, a Saturday Workshop, or Beginning Silversmithing.

Torch heating the pierced project

A little time out as the studio is closed for the week before labor day, and before the next set of classes starting on Sept 9th.

Bryan and I spend some blissful time in Historic Frederick, MD.

A little stroll through this town was a delightful break. As well we discovered a great rock shop.

The spoils of this discovery included some raw rose quartz, citrine and amethyst. But best of all something out of this world...

meteorite.

yup.

Another adventure in incorporating unique materials in my work.

Street corner in Historic Frederick, MD
Rough Meteorite rock

Bringing everything back to “white”. The Glen Echo Park Popcorn Gallery is inheriting our towers. Here we are priming them for whoever decides to use them next.

Blair painting towers white
Bryan peeking through one of the towers with a paint roller
Towers ready for storage

Tear-down today of what I feel was a successful show. Although the signature piece “Haul Water, Carry Sticks” will remain with me, many of the other works are on their way to good homes. A little part of me going with them, each are sent off with a goodbye kiss.

I got the added treat of having our son Daniel at the closing reception.

And my beautiful South African friend, and gallery sitter, Megan, was amazing to watch (and listen to) as she engaged people in the stories of my work. Every artist needs to have the honor of someone like this representing them. Thanks so much Megan.

Blair and Daniel taking down a case display.
People viewing the show just before it gets taken down
Red stickers that say "sold"
Blair and Megan in front of a tower display

So far the show has been met with good reviews, and many of the pieces will be going into private colIections.

I couldn’t be more pleased.

But, I am at that aftermark that so many artists face when pouring themselves out in the creative process. Feeling a little under the weather and totally unproductive.

Guess what.

That is a natural part of the creative process. And frequently ignored by many artists due to a cultural work ethic that forgets what emotional, and physical resource goes into creating good art.

It is taxing. And warrants a little break.

So, I am not producing tons of work for the next few weeks, and look forward to an actual vacation at the end of August.

Blair standing in the studio

This Silver Saturday workshop proved to be a very creative (and productive!) class. I am running four torches in the studio now and it is a real hoot hearing the whoosh-pop of all four.

You guys did great.

Such a great group!
So many projects
The ring lineup
Earrings and pendants

Opening night was a great time and a bit of a blur for me with so many attending. I loved hearing first hand how the stories “spoke” to different people in different ways.

Thanks so much to all of you who came.

Little red dots showed up on some of the work by evenings end!

Dina Vatcha, Blair, Joan Danoff in front of Artist's Statement
The show installation in the Popcorn Gallery
The Journey in its display case
Tree of Life in its display case

The 8 great students of Beginning Silversmithing (June) that let us skip a week of classes to set up the show.

Cozy space but lots of fun.

And look what this group made the very first night!

Students in studio 1
Student looking at silver earrings display
Silver twisted wire and sawed sheet earrings

A couple of days away from opening and it is starting to come together.

All the things that could go wrong have already done so, and are now resolved.

Now there are little details to pull off... finishing touches and...

truffles.

Yea, those “edible silver treats” are handmade brandy truffles laced with silver leaf.

What can I say, my husband is one of a kind.

The title wall: The Silver Speaks; Stories in Wearable Art
Bryan installing the vinyl text
The "big frames"; towers holding the pieces
Show posters facing the street

It takes a number of elements to put together a show with an entire collection. Here are just a few pics to give you an idea.

  • Mapping the gallery
  • Photographing the work
  • Building displays
  • Ordering stuff (champagne flutes, boxes, etc)
  • Writing and printing statements and title texts.
  • Printing postcards
  • Press releases and invites
  • Cutting vinyl (a whole lot of it)
  • etc... etc...
  • not to mention finishing the jewelry!!!

getting down to the wire now!

Popcorn Gallery visualization
Building the 7 foot tall display towers
Bryan with computer and lightbox for photographing the jewelry
Silver wire necklace with rutilated quartz pendant
Pele's Tantrum on the model, Bukola

Another sneak peek at the work that will be shown at the July show, “The Silver Speaks; Stories in Wearable art”. This piece is called 12 Generations.

Show opening July 3rd 7-10pm!

Silver necklace with ammolite, sunstone and moonstone

Doing a piece that reflects one of my paintings called “Finding One’s Self”. This uses the technique of “piercing”, or sawing. Multiple layers of sawed out figures are then soldered together to create depth and dimension.

Piece in progress, three panels sawed out and two soldered together.
Sketching out the saw template
Drilling the hole for the saw blade.
My painting that inspired the pendant

Another story piece emerging as I do a dance with Pele, the godess of fire.

Limu collected in a situation that is fairly rare is being transformed into “gemstones”. This very fine glass/ash is created when lava hits the ocean. Normally it doesn’t survive the wind, or other surfaces that it comes into contact with, but a chance moment on the deck of a cruise ship, with the help of some family members in collection mode, and I have a little bit of the stuff that I have preserved by encasing it in resin.

It is wonderful stuff.

More scientific info can be found here.


I had a lot of fun with this one and to be honest it will be hard to part with. Chunky and fun and very “Flintstone”-like, I fondly call this one “Wilma”, although its official title for the show is Chain of Events.

The links are made by fusion (no soldering) and it sports an eclectic group of gemstones: Carnelian, Opal, Peach Moonstone, Chalcedony, Moonstone, Black Opal, Jade, & Rose Quartz.


The muse is being very kind. Managed to finish this one today. 21 Gun Salute features a shell from my father’s funeral. Although wearable, clearly the point of this piece is more provocative. This is one of the feature story pieces for my upcoming show in July titled “When the Silver Speaks; Stories in Wearable Art”.

Labor intensive, this piece includes a large section of hand woven chain.


Lots of fun today with the Silver Saturday workshop offered to Mothers and Daughters. Although basic silversmithing skills are touched on in this workshop, I made it a little different... these girls got the added bonus of playing with stones.

And they all did great.

Thanks girls for spending the day in my studio!